During my obsession with the uprise of
Modern Architecture during the early 20th century I was curious to find
Mondrian Composition No. II as the pivotal pieces of Neoplasticism. The
optimization of meaning by simplfying a painting to primary colors, horizontal
and vertical lines was the ultimate challenge for me.
The balance of concept with simplicity
of altitude alludes to Mondrian’s alignment in Composition No. II. The three
dimensional ink piece conveys the appealing attributes of “vices”, and the
strength of black which consumes the viewer as does vices when they are in the
setting of a social acceptance form.
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